

The Sunflower Andirons exemplify both the Aesthetic Movement and Thomas Jeckyll's contribution to it. The sunflower was a beloved icon of the Movement, due to its bold colors and flat shape. It was a favorite motif of Jeckyll's and he first utilized it in the fence surrounding the Japanese Pavilion of firm Barnard, Bishop, and Barnards at the Centennial Exposition in Philadelphia in 1876. It was a resounding success, and andirons designed after the fence were marketed by B,B, and B in the years following, although none appear to have been wrought and gilt in quite the same way as the above pair, which leads me to believe that they may have been made for Leyland specifically rather than bought off the shelf.
Whew! I hope you enjoyed my little blog forray into the history of decorative arts, but if you didn't, worry not, this will not be a regular thing. At least not until my next item paper is due!
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